Three decades documenting ceremony, ritual and everyday life across the Indo-Pacific and beyond — ethnographic work, in film and photograph, alongside the people closest to home. Click any image to see it full size.
Decades of travel photography, mostly made in passing — sailing crew, dive guide, wandering artist — documenting ritual, dance and daily life across the region and beyond. Click any cover to open its gallery.

The Calonarang trance ceremony, depicting the demon queen Rangda's battle with the guardian spirit Barong — and Ngaben, the Hindu cremation ritual that releases the soul back to the sea. Dancers often enter trance states, wielding keris daggers in self-stabbing rituals believed to be genuine possession.

The trance horse-dance from Ponorogo, East Java — bamboo horses, gamelan, and performers who sometimes eat glass under a spiritual handler's guidance and enter genuine trance states.

Boats, canals and daily life photographed over repeated stops in Thailand.

The old pinisi schooners of Jakarta's harbor — all motorized now, sails kept mostly for fuel-saving and balance, but still masterpieces of maritime know-how.

The Buddha Tooth Relic celebration, the Esala Perahera in Kandy.

A stop aboard the Heraclitus after an epic Red Sea crossing — bullet-scarred walls from the '94 civil war, and the Kat market at the center of daily life.

Ceremony and daily life across the Melanesian islands, one stop among decades of sailing this region.

Atolls and island life in the Maldives, photographed while sailing through.

Streets, harbours and daily life in Malta.

The coast and daily life of Oman.

Streets and harbour life in Singapore.

The whirling dervishes of Egypt, in ceremony.

Daily life and boatbuilding traditions in Sulawesi.

Streets and daily life in Cambodia.

Life among the Mentawai islands, off Sumatra.

A trip to a small island off Bintan with old friends — camping, a storm, and some of the healthiest coral seen in years.
Living on Bintan itself now, not just passing through — the reef life off its dive sites, and the everyday culture of the island and the wider Riau region around it: a Malay parade, the trance horse-dance of Kawal, staged Riau dance, Chinese temple life, and the dried-anchovy trade that lines the coast.

Reef life around Bintan's own dive sites — nudibranchs, scorpionfish, garden eels, batfish and anemonefish, photographed close to home.

Inside Bintan's Chinese temples and community life — incense, deities, and quiet devotion.

A Malay cultural parade through a Bintan village — costume, drums and procession.

The trance horse-dance in the village of Kawal — bamboo horses, gamelan, and performers who enter genuine trance states.

Staged traditional Riau dance — costume, gesture and performance from the region's repertoire.

Dried anchovies — a staple of the local economy, from the drying racks and storm-lit coast to the market stalls.
Moana and Charlie, Amie, the ships that carried the family along the way, and a life's worth of Me, Me, Me — each its own growing archive. Click a cover to open its full gallery page.
Moana & Charlie
Amie
Moana
The Ships in My Life
Me, Me, Me
Full Family Album
BatukarasSome of this archive has grown into full photo-books, pairing the images with written history and personal narrative. Click a cover to read.
A history of the Orang Laut community at Berakit, on Bintan's northern shoulder, combined with a personal narrative — illustrated throughout with full-page photographs: the sampan crews, the jong Naga Languit under sail, and the four charcoal ovens still standing as a monument to an older, harder economy.
One afternoon's walk through the old town of Tanjung Pinang — from the harbour market and its dried squid and tide-worn jetties, into two Chinese temples where a whole civil service of gods keeps office behind curtains of incense smoke.
See the photographs: Chinese Bintan → · Also in Writing & Voyages →